February and March, 2025
Sunburst Lichen, Beard Lichen
Hello dear ones,
Spring has arrived, and so my studies on Lichen have come to an end. For now, that is. During the months of February and March I have been working with two incredible and very separate genera of Lichen: the Sunburst Lichen (Xanthoria) and the Beard Lichen (Usnea). The process has been incredible and I am absolutely bewildered by the life form that is Lichen.
My initial plan for the month of February was to focus on Lichen. It didn’t take too long for me to realise that that was a very naive way of thinking. The uniqueness of every genera of Lichen, was something I greatly underestimated. Diving into scientific knowledge of this organism, was like walking into a cave of spectacle and wonder.
Lichen is a symbiotic life form, in which algae or cyanobacteria, fungi, yeast and bacteria share a mutualistic relationship. This means that all organisms that make up the Lichen, benefit from each other. The fungi thrive on the carbohydrates that the algae produce with their photosynthesic properties, while the algae benefit from the protective and moisture-rich base that the fungi create. A scientific wonder, a poem older than words.
Above: Xanthoria Parietina
Below: Usnea
Lichen can be found in many shapes and colours and can grow on tree bark, mosses, rocks, bones - about anywhere really. Now that I had become more aware of their different manifestations, I realised I had met them in every place that I have ever been. On every mountain top, in every city park. I can see Lichen now as I write, gazing out the window of my The Hague apartment. I notice the foliose lichen gracing the trunks of old oak trees, while the crustose lichen splatter their bulbs of colour on the sidewalk. I would never go a day without noticing them again.
The overarching presence of Lichen made it clear that I had to find a point of focus. A way in. I decided to deepen my connection with two genera: Sunburst Lichen and Beard Lichen. Both are forms that I had met in the city park and meeting them day after day, on both dry and wet days, helped me to become more and more acquainted. I would softly run my fingers over the small, extraterrestrial landscapes that the Sunburst Lichen grows and comb through the mosslike hair of the Beard Lichen.
I have been creating odes for both these genera. During the process of creating these, I wanted to mirror the workings of the Lichen, to feel what is like to be changed by something other than me and to create from that relationship. Just like the dance of the algae and fungi. I did this by inviting in materials that were new to me, ones that I do not have any sense of control over. This way, I could fully feel what their effect would be, what their presence would make me do.
Xanthoria
For the Sunburst Lichen (a genera that is known for its cup-like appearance and can have bright orange pigmentation due to parietin compounds) I created a painting. I had been wanting to work with water mixable oil-paints for a while and now seemed like the perfect time to experiment. The process started off very uncomfortable, as I felt out of control trying to paint with this unknown liquid. But after surrendering to the properties of this particular paint, I started to enjoy the messiness and layers that appeared before me on the canvas. The end result still looks like it comes from my hand, but I can see layers that I wouldn’t have been able to create without the intervention of the materials that were so new to me. It is an ode to the Sunburst Lichen and the way its pigments interact with the sun.
Radiance, 47 x 39, watermixable oils, oil pastels, dune pigments, pencil on canvas.
Usnea
The connection I felt with the Beard Lichen called for sound. This genus brought me back to the deep forest, where it hangs from the upper story like whispers of the long-forgotten. It is therefore not strange that in European folklore, the Usnea would be seen as hair from woodland spirits and used as a form of protection in homely spaces. The prayer that I wrote for this genus, also started from something new in my songwriting: a drum. When I started recording the demo, I first laid out a drumming pattern, based on the beating of my heart. The drum worked the same wonder as the water mixable oil-paints did, because once again I had to surrender to a stranger in my creation process. This however, was a much gentler process and I am happy to present this audible ode to the Usnea to you.
You’re the prayer of the forest
Fill my lungs you’re just like air
Archetype of symbiosis
Now I see you everywhere